{"id":6603,"date":"2026-04-03T16:52:14","date_gmt":"2026-04-03T16:52:14","guid":{"rendered":"https:\/\/tamarachaudesaigues.com\/?p=6603"},"modified":"2026-10-12T16:34:58","modified_gmt":"2026-10-12T16:34:58","slug":"tattoo-avignon","status":"publish","type":"post","link":"https:\/\/tamarachaudesaigues.com\/en\/actualites\/tatouage\/tatouage-avignon\/","title":{"rendered":"Tattooing in Avignon \u2014 Art Nouveau, colour and neo-traditional"},"content":{"rendered":"

Hello everyone!<\/p>\n\n\n\n

For a long time I had an article here that simply presented my work as \u201ca tattoo artist in Avignon\u201d. And when I reread it today, I realized that it no longer really told the good story. Avignon is obviously part of my story, because I grew up there in tattooing and Graphicaderme has been a part of my family forever, but my work is no longer about a single city.<\/p>\n\n\n\n

What I want to keep in this article is rather my way of working: the big projects, Art Nouveau, color, black and gray, painting, and especially this obsession with creating an image that really works on the body.<\/p>\n\n\n\n

I rarely start from a simple \u201creason\u201d.\u201d<\/h2>\n\n\n\n

When someone comes up with an idea, I think very quickly about the composition. The area of the body, the size, the way the tattoo will move, what will be visible from a distance, what should remain legible in ten years\u2026 all of this is just as important as the subject itself.<\/p>\n\n\n\n

A drawing can be beautiful on paper and become completely flat once placed on a sleeve or on the back. This is often where my work really begins: adapting the image to the body rather than simply reproducing it.<\/p>\n\n\n\n

\"Colourful<\/figure>\n\n\n\n

Painting often comes up in my projects<\/h2>\n\n\n\n

Alphonse Mucha, Tamara de Lempicka, \u00c9douard Bisson, Caravage\u2026 these are references that I have been looking at for a long time and that inevitably end up slipping into my compositional style.<\/p>\n\n\n\n

I don\u2019t necessarily seek to copy an artwork as such. What interests me more is to understand what gives it its strength: a pose, a light, a line, a way of guiding the gaze. Only then do I look at how this logic can be translated onto the skin.<\/p>\n\n\n\n

On some projects, such as Madame Boucard by Tamara de Lempicka<\/a>, I remain very faithful to the work. On others, the reference becomes much more diffuse.<\/p>\n\n\n\n

Art nouveau, color, black and gray: I mix colors more than before<\/h2>\n\n\n\n

For a long time I tried to define my work with very precise categories. Today I feel much less of a need for that. There is obviously a lot of Art Nouveau, because I like organic lines and compositions that complement the body. There is color, which has taken up a huge part of my work, but also always black and gray.<\/p>\n\n\n\n

I also retain something of the neo-traditional in the readability and structure. What interests me is especially that the tattoo remains strong once all these influences have been mixed together.<\/p>\n\n\n\n

I detailed this evolution in my article on my way of working with color<\/a>, as well as that dedicated to my Art Nouveau compositions<\/a>.<\/p>\n\n\n\n

Avignon remains an important part of my journey<\/h2>\n\n\n\n

Obviously, I\u2019m not going to erase Avignon from my history just because my plans have evolved. It\u2019s there that I grew up around Graphicaderme, that I met a lot of tattoo artists, that I did a lot of my first big pieces and that in 2025 I received a color tattooing award at the Avignon Convention.<\/p>\n\n\n\n

But today, I prefer that this blog tells my work in a more broad way, without automatically associating each project with a specific address. Cities change, projects move, and so do the guest spots. My approach, however, remains much more stable.<\/p>\n\n\n\n

What always remains at the center<\/h2>\n\n\n\n

A readable composition, an image that follows the body, enough space for it to evolve over time, and a real discussion with the person who will wear it.<\/p>\n\n\n\n

That\u2019s what I want to keep here, more than just a simple \u201ctattoo in Avignon\u201d. If you discover my work with this article, you can also go see my complete journey between tattooing, design and webdesign<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

Avignon is part of my history in tattooing, but my work is no longer limited to just one city. Art Nouveau, painting, color and composition: this is the approach I still maintain today.<\/p>","protected":false},"author":3,"featured_media":6605,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"page_builder":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[21],"tags":[163,169,165,98,167,139],"class_list":["post-6603","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tatouage","tag-meilleurs-tatoueurs-avignon","tag-salon-de-tatouage-avignon","tag-tatouage-art-nouveau-avignon","tag-tatouage-avignon","tag-tatouage-couleur-avignon","tag-tatoueur-avignon"],"acf":[],"yoast_head":"\nTatouage Avignon | Art Nouveau, couleur et n\u00e9otraditionnel<\/title>\n<meta name=\"description\" content=\"Tatouage \u00e0 Avignon par Tamara Chaudesaigues. 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